New take on old idea: gray cards
I did some searching and settled on a new 'digital' gray card and did some experiments. When using the new card to create a custom white balance setting on my camera I found the old card had a definite color cast to it. The photo at left illustrates a photo taken using a (new) neutral gray card.
Digital cameras try to automatically or manually compensate for different 'colors' of light. Sometimes you are photographing something that doesn't really have anything neutral in the photo. To be confident that the exposure is correct you can take a photo of the gray card in the same light and then use that photo as the reference for the white balance. The method differs between cameras, but the important point is that just because something looks white or gray, it isn't necessarily truly neutrual. Our eyes adjust to different colored lights - a white sheet of paper looks white to the eye whether outside on a sunny day, in the shade or indoor with artificial lighting.
I find a gray card particularly useful to properly adjust for the light color when I bounce a flash off a wall, ceiling or reflector panel. I simply take a photo of the gray card in approximately the same position as I will be taking the final photo, and use it as the reference for my camera's custom white balance.
Photo credits: Brad Calkins.
- Three days, nine states and 1,000 miles
- How to Find Great Shots While on the Road
- How to Find Great Landscape Shots While on the Road
- On the road - Flying high
- Endless editorial possibilities on your trip
- Have the perfect plan while you are on the road
- An Easy Way to Flatten Those Curves You Sometimes Get With Merging Software
- Love and Quarrels