Perks of being a photographer
In the past (I've been a pro photog for almost 10 years, starting at age 21), when people would say "Wow, it must be a cool job!", even though they imagined me standing taking pics at kiddies parties (commercial photographer doesn't say a heck of a lot to Joe Bogs), I would reply with a "Yah, well, it's not ALL glam, it's got a lot of hard graft and tough aspects as well", which isn't untrue, but I said it because I didn't want people to think I had it easy, and they hard (I grew up Calvinist and South AFrican...white...guilt is sort of built into default set-up). However, one day I came to the realization that I made the choice to do what I do when I was 12, pursued it since then and worked very hard to get where I am, and on any given day still earn the same or less than they do, BUT I have perks. And I love my job. I love the exposure. I love the business side. I love the hard times. I love the carrying equipment as well! I love sweeping the studio floor. I love having coffee with my assistant at weird and wonderful locations.
Here are some questions I get asked and I will answer now:
WINE: Yes, often times wineries are nice enough to give me a couple of bottles of the best. Currently I have a bottle of Waterford The Jem, Jean Daneel Director's Bin Chenin Blanc 2006, Graham Beck 1994 (2006 Degorge) MCC Brut MAGNUM (Nelson Mandela drank this when he became president in 1994), some fine wines from Iona, Rijks, and various other top notch SA wineries. I also have photographed the 1791 Vin de Constance at Klein Constantia, the very wine Napolean Bonaparte drank while in exile on St Helena, and Charles Dickens writes about in one of his novels.
CARS: No, I don't often drive the cars myself, but I always get to ride IN them. However, I have driven the Audi R8 V10 on a road outside Elgin, South Africa. Wow. Wow. Wow. See the video here: http://danienel.blogspot.com/2009/08/i-drive-audi-r8-v10.html .I have driven in the Aston Martin DBS V12 (see www.wielmag.co.za for the video I shot on a cell phone in the car while the driver did his thing). I have driven in the Nissan GT-R. Around a race-track. I have driven in more insanely expensive cars than I can recount. The irony? I'm not really a car enthusiast, I just love the look of cars. Once you get under the bonnet, I'm a bit at a loss. I desire not to have one of those cars, which is a blessing, cuz I can simply enjoy them as works of art. I drive a Toyota Panelwagon and a Chev. I love my cars. Functional. Logical.
PEOPLE: I have photographed NElson Mandela's wife, Graca Machel, in their Cape Town home. I have shot Faithless live, from the orchestra pit with Maxi Jazz almost stepping on my hand, I have shot Live Live, I have shot Ronan Keating live, I have photographer more CEO's than I care to remember, I have shot sport stars (Francois Pienaar, now played by Matt Damon in Long Walk to Freedom), Graeme Smith, Herchelle Gibbs, Marc Fish, Dingaan Tobela and many more. I have photographed writers journalists, thinkers, wise men and great woman, weird and wonderful people. Rich and unfamous, Poor and famous and a bit of both. I love shooting people.
HOTELS AND PLACES: I've slept in hotels that I'll never be able to afford, take my wife to hotels because of my job I'd never be able to do. I've seen amazing restaurants and places. My stay in Bushman's Kloof resort would've cost me my company's turnover for a month. I'm going, God willing, to Libya in November to shoot for Air Afrique.
I can go on and on. I shoot pack shots in studio - I like it. I enjoy the mundane parts of shooting. I shoot events still - I take a booking if I have the time - their money is as good as any other money - I hate idleness.
Are their bits that's tough about my job? Obviously. The creative industry is in my opinion other than full-time ministry the hardest place to make a living. But I CHOSE to. I put my head down and still take the knocks with the blessings.
I'm grateful to God I can be a photographer.
Photo credits: Danie Nel.
How to shoot events